red full frame camera
As far as I know, Schneider makes those Xenon FF lenses, but that's it for Full Frame PL mount. I'm not sure I need 6K for my projects, nor do I need the slow-motion capabilities. E-mount 35mm Full Frame.
Offloading the compute-intensive decoding and debayering of RED R3D files.When everything matters and vision or process can't be compromised, creators around the globe choose RED.Bringing Visionaries into Focus. Honestly most of the people producing content these days don't need 8K. In fact, the SonyF65 4k demonstration blew the pants off it.As I said before, I agree with the list of things that make a difference. As of right now, the big changes in the camera are ProRes recording internally simultaneously with R3D RAW files.
The biggest news is their new 8192 x 4320 sensor, which will actually be slightly wider than a standard full-frame 35mm sensor at 40.96mm x 21.6mm. Existing RED MINI-MAG 512GB cards are already ready for transfer speed increaseAutomatic sensor calibration. Both systems are great, but you are definitely getting a huge advantage in one of theseHopefully one day we will get a 6x7 sensor, focus pullers will shit a duckYeah, make the monstro sensor an equivalent of 15-perf 70mm used in IMAX film cameras. Do what you will with it. I did. Everything better still. ;) Color science is already improved and will continue to improve over the years to represent true color, to allow filmmakers to manipulate it however they want. One of the most significant advancements in the history of cinema cameras.
These are scaled down to 2K from the full sensor. RED Has Announced a New Camera Upgrade for DRAGON Sensors Called WEAPONRED Summer Shipping Update for Their New WEAPON CameraRED EPIC DRAGON & SCARLET DRAGON Specs, Upgrade Pricing, Warranty Information, and Price Drops April 13, 2015 at 11:17AM, Edited April 13, 11:17AM So, in a way I am glad they are still willing to push and piss people off.We joint the RED-family late in the game.
My only real complaint with RED is how pushy they are to upgrade, otherwise you're cut off from the discounts. They are quiet, logical, they do what they say, the boss doesn't act like a spoilt child leaving the house because someone criticized him, they don't kick out people that are speaking loud. Why people are complaining is odd. The point of beeing able to upgrade was quite important to me.Same here. Luckily Scarlet Dragon is more than I'll need for quite some time. No cables. High performance mirrorless cameras. De qualquer maneira, se você está a fim de fazer filmes em resolução suficiente para uma tela IMAX, essa câmera da RED já é uma opção possível.
My camera is from 2011 and does that and 5K stills. Any time Red is brought up there is immediate talk of Arri. We bought our Red Epic a few month ago. Alexa SXT will probably be slightly more expensive, but the problem with Red here is that they've alwasy been more affordable, both from a renting perspective, and from an owner's perspective. By 2010, Red began selling upgrades to a 14 megapixel sensor called the "M-X". I love Prores just as much as the next guy but is it worth that much... NO! I was a bit upset about all the hype around Weapon, and the "pressure to upgrade". They bitch. Price much cheaper than the Alexa and definitely much cheaper than the Alexa 65mm. Explore RED's modular camera system and groundbreaking image quality. The Alexa 65 is a fixed PL proprietary rental system that cost $10,000/1 day. The first one is Epic-X, the first DSMC model released with a 5K imaging sensor. The cameras have given me very few problems, however. I hope Red is including lube too.Still more affordable than Arri Alexa and way more advanced than Arri Alexa The device features a 35.4MP 40.96mm x 21.60mm sensor and is able to record at a full 8K/60fps resolution.
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps 5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps 11.5 V DC to 17 V DC (requires an expander with DC-IN)Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module DSMC2® Touch 7.0" Ultra-Brite LCD (Direct Mount), DSMC2® RED Touch 4.7" LCD, DSMC2® RED Touch 7.0" LCD and DSMC2® RED EVF (OLED) with cable-free connection. We have been trying to sell ours for a while and no one bites. Shoots 4K and RAW to an external recorder if you want. There is footage in the works right now with the pre-production Red 8K. RED’s premier sensor provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range. Is that why Hollywood chooses it so often? They sell cameras, upgrade them, use the parts from the upgraded cameras to sell them again in another form. All rights reserved. April 13, 2015 at 10:39AM, Edited April 13, 10:39AM I've shot on Red One, Epic, and Dragon. I love the Alexa and what it can do, but RED as a company (outside the silly names, designs and warning labels) has produced a phenomenal product.
It will be no different with 8K.
And nearly 4000 for XLRs? I doubt very much that an end user would ever be able to tell any quality difference between Epic and Dragon footage. The Red One first introduced in 2007 was Red Digital Cinema's first production camera. That simply isn't the case anymore and when the Alexa still puts out a better image, I'm starting to wonder what reason (other than perhaps specifically resolution or frame-rates) someone would have to justify going the Red-route...I read last test of Shane and be very happy with DRagon. PL lenses don't cover full frame....So what lenses are they expecting to use with this camera if it has a PL mount? It just harder to color grade, cause you don't have that look already applied to the image. We have yet to see footage from the Arri 6K. XLR/Monitor/Viewfinder all paid accessories - $35,000. August 29, 2015 at 9:15AM, Edited August 29, 9:15AM I love the RED cameras, what the company stands for, and their philosophy with making a modular camera. E-mount APS-C. 7 Products. Every accessory option you can imagine.
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